gulu rebuilding through wine and cheese

In Shadow of the Sun, his literary montage of more than 40 years as a reporter in post-independence Africa, Ryszard Kapuscinski writes of the incredible ability of people in violent areas to continue with their daily lives as if war were nothing more than a mild natural disaster. I am amazed by the resilience of many of the Ugandans I have met, both those who have been affected by one or more of the many armed conflicts this country has seen since independence and those whose lives have been touched by other, less violent tragedies: the death of a parent, HIV, extreme poverty.

The people I know have carried on through things I think would have destroyed me, and whether it’s because of a difference in our hometowns and cultures or if, under similar duress, I would remain just as persistently alive, I don’t know. I don’t know if there’s some innate sense of how to feed one’s family that exists in the widowed mothers-of-many who sell avocados and cigarettes to passersby on the streets of Gulu, or if I, too, would find a way to subsist were Kansas ever to erupt into war.

At the same time, though, there is a difference between surviving and thriving.* The tenacity of street vendors and roadside cobblers is admirable and inspirational, but it is not necessarily the sign of a vibrant, secure economy. Which is why I was pleasantly surprised, on my last visit to Gulu, to discover an abundance of new bars and restaurants.

Josh already talked about the wave of construction washing over the city, but this is something more: the growth of the entertainment industry, I think, is an even greater signal of the growing security in northern Uganda. Several years of relative stability have convinced Gulu that it’s time to rebuild — not only in terms of microbusinesses and village huts, but also in terms of permanent establishments dependent on a clientele that can now, finally, afford a little leisure.

One of the flashiest examples is Bambu, an upscale (entrees are 10-15,000 shillings) outdoor restaurant across the street from the Bomah Hotel/Restaurant/Health Club that serves, among other things, wine and cheese. The presence of cheese in Gulu is itself a rather remarkable development, but less someone argue that Bambu is less a sign of Gulu’s return to stability and more of a growing NGO presence directly related to the conflict (admittedly, it caters to the expat crowd), allow me to present The Embassy.

Near the market, The Embassy is literally a hole-in-the-wall — if you don’t know where you’re going, it’s easy to miss the tiny, duck-your-head entrance to this local hangout. The bar bears witness to its recent construction: sawed-off boards and chicken wire are stuffed into a crawlspace behind the tables. This, combined with the blacklights and full-size cardboard man inside the door, can contribute to a vaguely haunted-house atmosphere. Still, the drinks are cheap, and the pool tables and music — country, believe it or not — make The Embassy popular with everyone from average Gulu-ans** to young development workers to Northern Uganda Peace Forum ambassadors.

Bambu and The Embassy are joined by a handful of new local restaurants, a local dance club that is rumored to rival the legendary Havana, and a general sense of wellbeing and optimism. It’s a little trite to equate a new bar with hope, I know, but I’m taking these places as a good sign.

*I like “survival and thrival” better, but Webster’s tells me thrival isn’t a word. Should be, don’t you think? [back]

**Gulu-ers? Gulu-ites? Citizens of Gulu Town? [back]

jazz night at Iguana

I am the furthest thing possible from a connoisseur of Ugandan nightlife/live music. I’ve done the basic rounds: Rouge, Fat Boyz, Just Kickin, Bubbles, Mateo’s, Steakout, Al’s Bar, Punchline, Backpackers, the now defunct Blue Mango, Slow Boat. When I got malaria I sort of lost my will to live, or at least to go out, and lately I’ve been more content to stay in bed and watch Scrubs than to get all fancied up and leave the safety of Kisementi. Besides, I can hear the music from three bars plus the restaurant downstairs from here, anyway (lending to a weird sort of aural schizophrenia), so really, what’s the point?

Which brings me to Iguana. Formerly Wagadougou (cited in Lonely Planet as “a good place to retreat to if Just Kickin is too crowded”), this bar shut down late last year for renovations — renovations that took place approximately three feet from my bedroom window, starting at 7:00 AM and accompanied by the loudest radio I have ever heard. They reopened as Iguana a few months ago, and when I stopped by mid-February to check out the art gallery downstairs, I was handed an invitation to their Wednesday Jazz Night.

A friend was down from Gulu (which has a whole new scene of its own — that’s a post that’s been a long time in coming), so we decided to check it out. The invitation was pretty and demanded “dressy-casual” clothing, and we allowed this to get our hopes up. We didn’t exactly expect a live saxophonist, but we definitely weren’t prepared for the dubious delights of Jazz Night: a single Kenny G CD, played alternately with an uncensored version of Akon’s “I Wanna F*** You.”

Glorious.

Though I definitely liked Iguana’s Blue-Mango-like couches and open-air, lofted-roof, second-story atmosphere, I wrote it off after that. Most nights they play your standard Kampala fare (that is to say, a blend of Jay-Z, East African Bashment Crew, Blu*3 and oddly hiphop-ish Toto remixes) — all audible from my flat, where I can sit anywhere I want — and Jazz Night was truly, truly awful.

But as I’m sitting in bed on Wednesday, reading, I notice that something is drowning out the screaming and bad rap from Just Kickin and Fat Boyz — something good.

It’s jazz. Real jazz. Played by a real, live band. With an incredible female lead singer whose voice is sultry and smoky and sexy and kind of reminds me of the woman who sang in the bar in The Last King of Scotland, in a very good way (I told you I wasn’t a connoisseur).

Sweet.

I think about heading next door, but I decide to open my window instead. I’m closer to the band than I would be sitting in the back of the bar, and besides, I have a book to finish.

P.S. An hour later, they started playing Meghana Bhat, and when the band came back on after midnight, someone had acquired a cowbell. I will never understand the culture of music here.

hiphop for a cause


photo © Glenna Gordon

I’ve written before about Abramz, a Ugandan hiphop artist and community activist whose work with disadvantaged children and youth throughout Uganda makes me squeal like the little, breakdancing-wannabe I am.

This weekend his Breakdance Project Uganda is presenting HIPHOP FOR A CAUSE on Sunday, May 6th at the Sharing Youth Centre, Nsambya. The festival aims to show people the positive role that hiphop plays in Ugandan societies and to encourage youth and children to participate in community work. It will feature breakdancers and hiphop artists, most of whom are youth and disadvantaged children, from Gulu (H.E.A.L.S), Kampala & andother areas of Uganda.

RAP PERFORMANCES BY: Sylvester & Abramz, Lyrical G, Swamp Kamp, DE.P.P.I Static from Belgium and many more

VENUE: Sharing Youth Centre, Nsambya
TIME: 2 to 6:30 PM
DATE: Sunday, May 6th
COST: 3,000 shillings

the united nations of this rap…stuff

The violence in Karamoja is likely the biggest forgotten, neglected part of what has been called the biggest forgotten, neglected humanitarian emergency in the world. Both UPDF soldiers and rebels have been accused of gross human rights violations, drought is sweeping the northeast, and the violence has gotten so bad that the night commuter phenomenon, previously restricted to areas under LRA attack, is spreading to the region.

Amidst it all, there is hope — in the form of a hip-hop duo called the Rocky Boyz Crew. Ugly-Unit and Legless, its two young members, aim to promote unity and reverse negative perceptions of Karamoja through their music.

Another hip-hop artist in Kampala is doing the same thing. Abramz, a rapper and breakdancer, works in Nsambya, Gulu and Mbale to encourage at-risk youth to work together for social change through Breakdance Project Uganda.

I met Abramz at the Global Kimeeza II conference last month, and his passion for both his art and his work made my insides all smooshy (in a good way). If anyone knows how I can get in touch with the Rocky Boyz Crew and beg them to let me hang out with them for a few days, let me know.

Jay-Z may think he’s the UN of this rap shit, but he clearly hasn’t met these guys.

EDIT: Ariaka’s right. “Rebels” is the term the UPDF has applied to armed Karamojong, who some would argue are protecting their land, cattle and/or families against government attacks.

I didn’t think you were white

More Happy Hour pictures
More Happy Hour pictures

The topics of conversation at Thursday night’s Inaugural Uganda Bloggers Happy Hour ranged from cell phones to Alice Lakwena to the transvestitical possibilities of Philip Seymour Hoffman. The Jabberwocky was recited, blogging addictions were confessed, heaven was declared to be just like North Korea, and the Ugandan blogosphere gained a fanboy. Also, we unanimously agreed that Inktus is hot.

We came together to discuss the issues circulating among our blogs and throughout the country, to put faces with names, and to enjoy a few drinks with our fellow geeks. I’d like to think we all got something special from our exchange — I came home with multiple offers of free jackfruit and the shocked insistence of many of my co-bloggers that I couldn’t be Jackfruity because I’m too white. No fewer than three of my blogging compatriots were convinced, based on this blog, that I was black — “too black,” according to one.

Does someone want to explain this to me? I write about being a white woman in Kampala and complain about being called a mzungu. Do I need some sort of disclaimer that heads every page? Caution: you are reading the blog of a (pale) white female from Kansas.

All told, the happy hour was an immense success. In the words of Josh, who gave a rousing speech to commemorate the first of what I hope will be many blogfests: The goal is to increase the level of debate in this country, but at least now we can all make fun of each other and hang out.

Inaugural Uganda Bloggers Happy Hour Guestlist
Carlomania
Colin (still waiting for his first post…)
Dee
Dennis Matanda
Ivan (200 Coin has Fish)
Jared (it’s not a blog, it’s an “online journal”)
Josh (In an African Minute)
Rebekah (Jackfruity)
Revence (Dying Communist)

Non-bloggers in attendance
Marika
Anna
Rachel